Author: Janie Braverman

  • Call and Response

    Call and Response

    I am always interested in how different poets approach the page and how different erasure artists approach their source texts.

    In January 2025, my brilliant friend, X. P. Callahan, posted her Erasure: In the Cage of Breath, a digital text alteration and video.

    Her work spoke to me, called to me. I wrote owl in response, using the same source text.


    Here is the call: X. P. Callahan at Diary Poems.

    And here is the source text: Carolyn Forché, “Harmolypi

  • Nusquam Ire

    Janie Braverman, Nusquam Ire. Digital text alteration and drawing, 2025.

    living rivers     lakes
    freshwater habitat
    ponds     streams     bogs     wetlands

    dragonflies     fish     crabs     others
    at risk of extinction
    pollution     dams     water extraction

    climate change     other disruptions
    acting together
    every river modified

    dams     deforestation     wildfires
    illegal mining     illegal fires
    waves of ash in the river

    mercury in the water
    everything wrong and
    there’s nowhere to go

    SOURCE TEXT
    Christina Larson, “New Research Shows a Quarter of Freshwater Animals Are Threatened with Extinction.” Associated Press, 8 January 2025.

  • The Great Resurfacing: experiments and drafts

    The Great Resurfacing: experiments and drafts

     Pens, markers, and washi tape experiments
     Pens, markers, and washi tape experiments
    The Great Resurfacing - a visual poem
    Pens, markers, and washi tape experiments - Working Draft
    Pens, markers, and washi tape experiments - Working Draft
  • Hon We

    Hon     We

    “Hon     We” is a trio of poems created by erasure from Hon or We have both traveled from the other side of some hill, one side of which we may wish we could forget,” a poem by Anis Mojgani (the same poem that X. P. Callahan used for Erasure: Love Me,” which combines digital text alteration and collage). In the case of “Hon     We,” Microsoft Word text colors and watercolor brush pens were used for the alterations, with a nod to Jennifer Sperry Steinorth’s Her Read: A Graphic Poem (Texas A&M University Press, 2021).


    Typed words on paper with sections marked out with green marker.  "Hon We both Love in a monsoon from a century of be ing hopeful"
    Typed words on paper with sections marked out with teal marker.  "Hon We travel we forget terrible thunder blue face s even an angry mule"
    Typed words on paper with sections marked out with purple marker.  "Hon We the other we Love when  a  n  imp love When a swallow best heart is A small sun & bright"
  • Path Three -Walking

    There is an intimacy
    in walking together
    nearly lost in this modern age.
    The slow swing of one
    step after another
    the thud of boot on rock
    the rush of the water companion
    the swish of canvas
    packs and pants up the path.

    We walk up and talk of the city
    until the quiet crunch of pine needles
    the hush of rubbing branches
    the distant call of camp robber, grey jay
    begins to calm, to soothe, to remind.

    We walk down under thunder
    patted by rain
    talk now about choices
    life directions
    unintended and unexpected.
    We stop to watch the elk
    separated from our sight
    by the line of lodgepole pine.

    We walk. We
    think. We walk again.

    Your long legs
    at ease on the path,
    we pass the horses
    then the droppings of horses
    and prints of horses.
    We do not pass the memory of horses.

  • At the Wall

    And so it is that I am
    at the Wall. Ha Kotel.
    The old cold stone beneath my hand,
    alive with the prayers of a million living
    Jews and six million and more no
    longer living. Alive
    with the breath of God.
    And so it is that I am called,
    called, called home and
    home again to where the stone grows
    warm against my forehead though
    it is December and we wear wool
    against the cold.
    Called back through my soul
    through the souls of the ones before
    all of us in Egypt
    all of us at Sinai
    all of us
    in the heart of God.
    I lean on the Wall and God
    holds me. I lean on the Wall and God
    breathes with me.
    The day falls away and I
    stand in the wind on Masada.
    Desert fortress
    besieged by Rome
    for over a year then
    breached by ramp
    to the death of all but a single
    witness and child.
    Never again.
    Not just never forget, but
    never again .

  • Summer Fruit

    Would you rather
    the sweet snap of apples
    or the acid bite and glorious laugh
    of cranberries?

    And what of quiet, compliant
    lush peaches?

  • The water is forever washing the land clean of our footsteps

    We will walk it back from the bright roar of water
    from the turmoil the cataract the whirlpool the rapids
    we will quite suddenly understand form and boundary
    go where the rocks slant
    a lapsed and collapsed bank of the river
    hauntingly brutal and beautiful

    We will walk it back from the time
    of poked-out eyes
    and bloody crushed crusaded bodies
    bits and bones tossed over the bridge

    We will walk it back from where the flame sinks
    over the conquerors and the conquered alike
    where G-d is absent
    and no one can survive a week
    much less a lifetime

    We will walk it back to avoid the reckless the pointless
    with our nervous and nerveless mouths
    without saying a word
    we will ask our partners for forgiveness
    we will remember they have other things to do
    we will listen carefully if they speak
    leave them alone when they sleep
    let the silence spill

    As the day goes dim and the old wander home
    we will lie on our backs in twilight
    listen to the melody of the Solomon Islands and Ukraine
    walk it back under thick columns and piers
    green with slime black and discolored
    with mold and oil and the breaking of hearts

  • If you know a young woman

    for Radha Marcum

    alive & alight with the elation & gladness of living
    remind her
    milk thistle is not milk
    brain imaging scans of living dinosaurs are still a myth
    September rain falls on the crying & the flying alike
    fishes school & glitter like snowfall
    steam rises
    there is an up staircase in the flame

    Remind her while she is young
              – but not too young please –
    to handle herself with care
    to eat ice cream on Sunday
    to not step on a wind-up beetle
    to not hold the weathervane in a high wind
    lest she go Dorothy-to-Oz
    or call down the lightning

    Remind her that each seismic shift has its own quirks
    that may take weeks to decipher
    to not be resentful if bitten by fleas bedbugs mosquitos
    but to pay more attention
    to the passageways too small for a person
    remind her how to know
    that small rabbits are not stupid but are rightly afraid
    that we all breathe & sigh breathe & sigh
    & that we all fear what comes down from the mountain

    Remind her to know the difference
    between the youngest & the quietest
    as they are not the same
    remind her to not take a direct path home from the cemetery
    lest the demons follow her there
    to whistle in the dark but not past that graveyard & not indoors
    lest the Chinese legend of bad luck & exploding stoves
    be true

    Remind her to open the black door in the morning
    stir the ashes of pine curled into bracelets
    manacles fetters shackles
    drop them to dust

    Remind her
    then lie on the kitchen floor while the night comes
    listen to her sing

  • Big thwack hypothesis

    for Jessica Roeder

    Consider the complex histories of
    granite & marble
    bronze & steel
    swirling & circling just out of sight
    unfazed     graceful     awaiting rediscovery

    Consider an attack angle of 20 degrees
    spin rate sufficient for gyroscopic stabilization
    wonder if corruption comes
    from the theories of hydrodynamics
    stone essentially solid & substantial
    somehow becoming softer

    Consider an effort to find personal accord
    with the indigenous stones
    whether newly fallen from stars
    or risen from the ashes

    Consider selenology
    & that the distance to the moon grows
    by 1.49 inches each year
    that stone isn’t naturally malleable & yet

    Consider each person you love
    placed lengthwise on their most stable side
    just touching the next generation in lines of seven
    the configuration not symmetrical

    Consider the lake in the woods
    trees bowing down over the water
    your own head down as if in prayer
    wonder might the stones steal autonomy
    ride through the town with pitchforks & torches

    Consider how history repeats itself
    danger & deathblow
    each stone the size of your palm
    & as flat as infinite lines
    not curving     not touching
    Is anyone safe?

    Consider the biomechanical methods to make power
    how you like to understand the forces
    distance     finesse     strength
    & archaic lifeforms
    transformed under geological pressure

    Consider sailors
    throwing buckets of water overboard
    to prevent their ship from sinking
    consider      the geometry of the water
    the geometry of the boat the geometry of time

    Take your tap shoes outside
    practice on a piece of plywood
    inside you set off the rabbit
    who thinks you’re announcing the apocalypse