Author: Janie Braverman

  • Fragility

    Fragility

    is complicated


    Wikipedia: In glass sciences … kinetic fragility … has no direct relationship with the colloquial meaning of the word “fragility”, which more closely relates to the brittleness of a material.



    Source material, with photographs: Vesuvius Turned One Victim’s Brain to Glass



  • Where do stories begin?

    Where do stories begin?

    For Cory Booker



    Original source material.


  • This is why we cannot have nice things

    This is why we cannot have nice things

    This is also why I can’t write a current events post for Under Construction that is … well … current.



    From headline, paragraphs 2-5 and 8 of this source material.


  • Hello to Spring

    Hello to Spring

    The Medicinal and Spiritual Uses of Taraxacum officinale




    With thanks to Jessica Roeder for pointing me to the source material.

    Jessica teaches writing at Lighthouse Writers and dance in Duluth MN.


  • Requiem for a rabbit

    Requiem for a rabbit

    oh how I miss her–a certain energy and way of being in the world, ineffable



    when our friends hurt, we hurt


  • recall

    recall

    who wouldn’t trade $400 for a finger?


    Reasons to read The New York TImes: the puzzles, The Athletic, and gems like the source material for this erasure.



    Source material:

    How Much Would You Pay to Make Sure You Never Sawed Off a Finger?

    Igloo Recalls Coolers Over Fingertip Amputation and Crushing Risk


  • What are you reading?

    What are you reading?

    And why?


    First this:

    Because we all need a little brightness in dark times—and if you read nothing else today—here are the Winners of the 2025 World Nature Photography Awards. Scroll down to see the blue-spotted mudskipper. You won’t be disappointed.


    The what

    Some of the most interesting books I read have been recommended to me by other writers. Recent finds:

    Girl in a Bear Suit, poems by Jen Jabaily-Blackburn, Winner of the Elixir Press Annual Poetry Award

    Shark Heart, A Love Story, novel by Emily Habeck, about marriage, motherhood, metamorphosis, letting go, and a beloved husband who transforms into a great white shark (see also Let me tell you – a previous Under Construction post)

    Big Breath In, novel by John Straley about a marine biologist dying from cancer, saving babies, and a ton of whale information which is both real and metaphor

    The Braille Encyclopedia, Brief Essays on Altered Sight, experimental memoir in the shape of an encyclopedia, by Naomi Cohn (from Rose Metal Press)

    Remember – the Science of Memory and the Art of Forgetting, NF by Lisa Genova, about exactly what its title says it is


    And the why

    All stories have an emotional engine that drives them. Mysteries run on curiosity. Thrillers run on heart-thumping adrenaline. Horror stories run on fear.

    And the fuel for those emotional engines is anticipation.

    Most stories use a fair bit of what’s called negatively valenced anticipation: A sense of worry. Dread. Anxiety that things will get worse. …

    But guess what kind of anticipation romance novels use?

    Positively valenced.

    Katherine Center, in her essay disguised as an author’s note to Hello Stranger, the story of an artist that loses her ability to see faces.


    Stop by. Tell us what you’re reading and what you thought of the blue-spotted mudskipper.


  • Let me tell you

    Let me tell you


    Original text from Emily Habeck’s novel, Shark Heart, A Love Story

    The quote that haunts me: Life is hard, she thought, and instantly reconsidered. No. It is viscious.

    The idea that found me: What if an erasure poem also held some or all of the o’s from the original text?


  • Deer Book

    Deer Book

    Quantum of light, the photon


    Stephen King: “Books are a uniquely portable magic.”

    Me: “Some are more magical than others.”


    Some books are all text, the images coming via words as a gift from the writer to the imagination of the reader.

    Other books are also art objects, the words and images collectively becoming something more than the sum of the two, something magical. Libro Venado / Deer Book is one of those books.

    Some pages are orange, some red, some other colors. Some are translucent. One accordians out in the hands of reader. Spanish text and English translations appear together on the pages and on the cover. Quantum physics and botany collaborate with cosmology and Indigenous spirituality. What looks like a tick with fourteen legs and seven eyes shares the page with a spiral around a dot, arrows rippling out in four directions. It includes the only description of photosynthesis that has ever made sense to me: “Wild little leaf, ship of lumen / Who told you to talk to the light?”

    Nothing I write here will adequately convey the magical something of Libro Venado / Deer Book, but a few pages can be seen on the publisher’s website. (Scroll down for the video.)

    Poetry, drawings and magic by Cecilia Vicuña.

    Translation from the Spanish by Daniel Borzutzky.

    Inspiration from Flower World Variations, poems by Jerome Rothenberg, drawings by Harold Cohen.

    Recommendation from the poet Deborah Kelly. Thank you, dear friend.


    What are the books, the poems, the art that stretch your imagination, your thinking, that influence what you write or the art you make, that sometimes keep you up at night? How did you find them?